Timbuktu
Yes , we went to
see the celebrated film by Abderrahman Sissako last night and it was just as
good, in fact much better than I had imagined. But because I am almost Malian
now, and fiercely pro-Bamako in my political outlook, I had worried about it having
a pro-Azawad slant, in which case I may have had to make an ostentatious exit. But
of course the film is not about the wider Malian conflict but only about Timbuktu
under the 10-month rule of the Islamists in 2012.
And it is not
predictable in any way. It is a loosely
constructed cavalcade of events under an absurdist regime that forces men to
roll up the trousers to just below the knee and women to wear gloves: The reaction of the fish-selling matron who
shouts abuse in Bambara to her tormentors ‘the Islamic Police’ is very funny: ‘how
do you expect me to sell fish with gloves on?’ which reminded me of how resilient
and not-to-be-messed –with Malian women are.
The film is populated by arresting
and unforgettable characters and moments: the mad seductress trailing her tattered robes through the streets of Timbuktu carrying
her pet chicken in regal and utter contempt
for the Jihadists (Kettly Noel above) , the football game with the imagined football;
the young Jihadist ex-rapper who was
supposed to tell his story on a promotional video but was unable to do so,
since it was clear that he could not quite understand why music was banned; the
wisdom of the Imam in his dealings with the Jihadists (this is true, I know the
son of one of the Timbuktu Imams and he always kept lines of communication open
with the Jihadists); the beautiful scenery – mainly filmed in Mauritania I believe-which
made me homesick for Mali.
One of the most
interesting features of the film was its unpredictability: we were taken down
various paths which should by all rights have led to certain conclusions: but
they never did. For instance we were certain that we were heading for an unpleasant
culmination –possibly a rape scene- involving
the main Jihadist Abdelkrim and Satima, the wife of Kidane the main character, but no, the film
never behaved as one has been used to
expect. And however nasty the Jihadists were they were never painted as anything
but misguided fellow humans. A great
film.